![]() ![]() Also, ♭13 implies that the unaltered 5th occurs in the chord, while ♯5 does not. In this text, ♯5 is preferred to ♭13, but you will see both on lead sheets. ♭13 is the enharmonic equivalent of the ♯5. You may be tempted to call such a chord a minor chord with a ♭11, but ♭11 is not used because it is the major third of a chord.īoth alterations of 5 and 9 may occur simultaneously (☙/±5). The ♯9 is often spelled enharmonically on the staff as ♭10 for ease of reading therefore, a dominant seventh chord with a ♯9 will appear to have both a major and minor 3rd (C–E–G–B♭–E♭).
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